My official Lionsgate Area 1 DVD of Razortooth (© Patricia Harrington/Gravedigger Movies/Capital Artwork
Leisure (CAE)/PUSH/Lionsgate – reproduced right here on a strictly
non-commercial Truthful Use foundation for instructional/overview functions solely)
Genetically-modified beasts, i.e. creatures
transformed from the mundane into the monstrous by mad scientists of the sort beloved
by movie audiences and administrators alike for over a century now, have lengthy been a
staple theme in science fiction films, and the 2 examples reviewed and
mini-reviewed respectively right here, each of that are of the piscean persuasion,
are undoubtedly no exception to this development. In order 2024 winds down on this, its closing day,
why not wind down too by leisurely perusing these cinematic choices initially
penned by me for my sister weblog Shuker In MovieLand? Except after all you are an
ichthyophobe, whereupon the time to look away is true now!
My film watch nearly precisely
a yr in the past, on 20 December 2023, was my long-owned however previously-unviewed Lionsgate
Area 1 DVD of Razortooth, so as
to search out out in the end simply how very far brief this horror/monster film
would fall compared to what I would all the time naturally assumed was the intense
visible hyperbole of its DVD’s ultra-dramatic entrance cowl illustration (which
opens this current ShukerNature weblog article) – solely to find to my nice
shock that, if something, the precise film was much more OTT than mentioned
illustration!!
Directed by Patricia
Harrington, and launched in 2007 by CAE/PUSH, Razortooth is on the floor simply one other of these quite a few
modern-day CGI-laden creature options wherein a bunch of various individuals are
introduced collectively in a shared spine-chilling expertise of a horrific monster on
the rampage. The latter often constitutes both a freakishly giant or
genetically-altered mutant particular person of a recognized present-day species or some
gargantuan prehistoric horror retrieved from the distant previous both immediately
by way of time-travel or as soon as once more by way of genetic manipulation.
Mentioned monster then
systematically slaughters in quite a lot of completely different (however often gory) means
just about each human character within the film, steadily devouring its means up the
solid checklist from bit-part gamers to supporting characters after which, lastly,
confronting the leads in a grand do-or-die climactic battle earlier than expiring
with simply sufficient display screen time left for the surviving results in change some
gentle banter earlier than the credit roll.
In Razortooth, the titular monster is a genetically-modified Asian
swamp eel (far more about which later) of big measurement and voracious urge for food
that has escaped into the Florida Everglades from the laboratory that
engineered it, and now could be diligently decimating every little thing and everybody that it
encounters there – escaped convicts, Irish wolfhound, teenage canoeists, they
all undergo the identical grotesque destiny, albeit executed in an array of imaginative
splatter fests. By the way, I ought to warn you that this specific film
accommodates way more blood and gore than is common for a low-budget modern-day
creature function of the Syfy-similar style, which is why it holds an R score
certificates within the States, so beware.
Usually at this level I would
current my very own précis of the plot, however on this case the latter is so generic,
and in addition as a result of there’s one specific facet of the film, a zoological
facet, that I would a lot choose devoting the vast majority of this overview to (particularly
because it doesn’t seem to have been coated by anybody else whose critiques I’ve
learn), I’ve elected to avoid wasting time and area by merely quoting as an alternative a really succinct,
correct abstract of it penned by Brazilian viewer Claudio Carvalho that I
encountered on IMDb’s Razortooth entry,
so right here it’s:
Two prisoners
escape via the swamp land in Everglades and the search occasion is attacked by
an enormous mutant eel and is taken into account lacking. The Animal Management agent Delmar
Coates is looking [for] a lacking canine together with his ex-wife Sheriff Ruth
Gainey-Coates and he discovers the stays of the animal. In the meantime members of
a canoe membership set up an expedition via the swamp. When Sheriff Ruth
organizes a manhunt to seize the criminals, Delmar informs that his former
buddy, Dr. Soren Abramson, who’s chasing the eel with a bunch of faculty
college students, is the [person] liable for [this] mutant species [sic –
specimen]. Sheriff Ruth organizes two groups to hunt the prisoners and the eel.
The 2 lead characters are
Delmar Coates (performed by Doug Swander) and Sheriff Ruth Gainey-Coates (Kathleen
LaGue), so it’s going to come as no shock to study that they’re nonetheless standing,
nearly, by the point that we attain this film’s huge, explosive end – and
I do imply huge, and explosive!! What might certainly come as a shock, conversely,
is recognizing a well-known face enjoying one of many lesser characters – sure certainly,
Josh Gad (enjoying ill-fated Jay Wells), in one among his earliest big-screen roles
earlier than occurring to the likes of Pixels
with Adam Sandler, Disney’s live-action Magnificence
and the Beast, and the voice of Olaf the snowman in Frozen, amongst many others.
Eyeballing the razortooth: not a sight that you just’d ever need to
see close-up – or from any distance, for that matter! Please click on composite image to enlarge particular person photographs in it for viewing (© Patricia
Harrington/Gravedigger Movies/Capital Artwork Leisure (CAE)/PUSH/Lionsgate –
reproduced right here on a strictly non-commercial Truthful Use foundation for
instructional/overview functions solely)
However now, let’s transfer on to what
for me was the all-important function of this monster film – the precise
zoological nature of the razortooth!! (Curiously, regardless of somebody within the
manufacturing firm having particularly devised this memorable moniker for it, I
do not really recall ‘razortooth’ being employed anyplace throughout the movie,
apart from as its title). As I discussed earlier, this creature is meant to
be a genetically-modified, super-sized mutant specimen of a real species
recognized zoologically because the Asian swamp eel Monopterus
albus.
Native to shallow, muddy
freshwater wetlands throughout jap and southeastern Asia, this air-breathing eel-shaped
species (however a synbranchid relatively than a real eel), measuring solely a really
modest 3 ft or much less, has certainly been launched into the USA – starting throughout
the Nineteen Nineties in Georgia, from the place they themselves migrated into the Florida
Everglades (their air-breathing capability enabling them to maneuver overland in
restricted vogue if the land in query is water-saturated, however not if dry).
As a result of deleterious impact
that its presence is having upon varied native crayfish species, nevertheless, the
Asian swamp eel is these days deemed an invasive species in these States, with
makes an attempt being made to regulate its burgeoning numbers and bodily take away
specimens the place attainable.
For sure, nevertheless it does
not exist in any sort of mutant, extra-large model, and in any case this
species confines itself to a eating regimen of aquatic worms and bugs, frogs, fishes,
terrapin eggs, and crustaceans – versus gorging itself upon people and
wolfhounds! However these are usually not the one main variations between the true Asian
swamp eel and its monstrous film counterpart.
Though a lot was made throughout
the movie concerning the disturbing nature of its true-life invasive presence in
Florida’s Everglades, by way of its morphology the Asian swamp eel is nothing
remotely horrifying or harmful, possessing solely small, inconspicuous jaws
and a very clean, featureless physique. So how was this innocuous creature
going to play the central position of a bloodthirsty terror? By not solely drastically
growing its measurement but additionally appending to it some decidedly horrific
traits purloined from varied actual however visually hideous piscean
predators, that is how?
As a zoologist, furthermore, I
might readily acknowledge which predators had been utilized, they usually have been all
from a selected taxonomic household of deepsea marine fishes – Stomiidae, the
barbelled dragonfishes.
Completely unrelated to swamp
eels, however as soon as once more only some toes lengthy at most (often so much much less), these
dragonfishes exist in a number of visibly differing kinds, and it appears to be like as if sure
particular traits sampled from three of those varieties have been deftly mixed
with the elongate physique of the Asian swamp eel to yield the murderous razortooth
of this film, as I duly reveal beneath by way of the next sequence of
comparative illustrations:
From high to backside: the Asian swamp eel Monopterus albus; the viperfish Chauliodus
sp.; the black dragonfish Idiacanthus
atlanticus; Alcock’s boatfish Stomias
nebulosus; and the composite consequence, the razortooth; please click on image to enlarge particular person photos for viewing functions (high 4 pix public
area; razortooth composite pic © Dr Karl Shuker)
As can readily be seen from
this comparability: if the viperfish’s head and jaws brimming with javelinesque
tooth, the black dragonfish’s almost membrane-less spiny dorsal fin (however
prolonged alongside the eel’s whole dorsal floor, not simply the posterior half of
it as within the dragonfish), and the boatfish’s uncommon arrowhead-like dorsal and
ventral pre-terminal fins are added to the Asian swamp eel, the result’s the
razortooth. Apparently, Jeff Farley, the particular results knowledgeable who labored on Babylon 5, created the razortooth, so he
had evidently carried out some sound ichthyological analysis throughout this course of.
Furthermore, there isn’t a doubt
that for a lot of the time, whether or not within the water or on land, and even when it
slithers up into bushes, the razortooth is spectacular sufficient to maintain the
viewer’s eyes glued to the display screen, however most particularly when it is vitally quickly undulating
horizontally in dramatic whiplash method because it pursues its human prey on land,
thus adopting the identical mode of motion that snakes make the most of.
The massive drawback comes from
this monster’s physique measurement, which is something however fixed. One second the
razortooth is so big that it rears vertically above the water like a
latter-day plesiosaur from these now-dated prehistoric animal books from the
Sixties and 70s that habitually portrayed these aquatic reptiles as swan-necked.
The subsequent second it’s sufficiently small and slender sufficient to swim up via the
exit pipe of a rest room or bathe unit with a purpose to seize maintain of the
unsuspecting, hapless human using mentioned facility. Then abruptly it is huge
sufficient once more to chew a person in half, or to be wrestled with by the redoubtable
Delmar, and so forth…
By means of mitigation for such
morphological inconstancy, at one level scientist Dr Abramson (Simon Web page) tells
his college students about how versatile the muscular our bodies of eels are, enabling them
to squeeze via holes and crevices ostensibly too small for this to be
attainable. That’s true, however there are limits, even for a mutant eel (‘mutant’
being one other oft-utilised get-out-of-jail card in monster films for
explaining seemingly inconceivable feats carried out by the monster in query!).
Anyway, such quibbles apart,
and if you happen to’re not hoping for any in-depth characterization of the mega-eel’s
quite a few victims both, Razortooth
is actually an satisfying creature function (except you are not solely
ichthyophobic but additionally haemophobic!). And in contrast to a lot of its oh-so-serious
contemporaries on this style, it even purposefully features a blacker shade of
black vein of tongue-in-cheek humour operating via it, however with out descending
to spoof or parody ranges. Monster film purists might properly hate this flick, of
course, however a minimum of its selection of animal antagonist makes an fascinating,
diverting change from the extra standard big invertebrates, prehistoric
survivors, and belligerent ape-men that are inclined to dominate this cinematic
class.
Razortooth is at the moment accessible to
watch freed from cost on YouTube, so if you would like to take action, simply click on right here. Or click on right here
if you happen to’d merely like to look at an official trailer for it.
No escape from the razortooth – whether or not within the water, out of the
water, on dry land, and even up a tree, it is gonna get ya! Please click on composite image to enlarge particular person photographs in it for viewing (© Patricia
Harrington/Gravedigger Movies/Capital Artwork Leisure (CAE)/PUSH/Lionsgate –
reproduced right here on a strictly non-commercial Truthful Use foundation for
instructional/overview functions solely)
A number of months after viewing Razortooth, I bought and watched in
fast succession one other monster film with genetically-engineered mega-fishes
as its animal antagonists. This film was the aptly-entitled Frankenfish, and right here is the mini-review
that I wrote about it afterwards:
FRANKENFISH
My official UK DVD of Frankenfish (© Mark A.Z. Dippé/Columbia
TriStar/Syfy – reproduced right here on a strictly non-commercial Truthful Use foundation for
instructional/overview functions solely)
On 16
Might 2024, I watched my recently-purchased DVD of the 20-year-old TV monster
film Frankenfish.
Directed
by Mark A.Z. Dippé, and launched in 2004 by Columbia TriStar for the TV channel
Syfy), Frankenfish is a really generic
MM, and is all about some big, voracious, genetically-modified Chinese language (aka
northern) snakehead fishes Channa argus
which have been let unfastened right into a Louisiana bayou the place they wreak bloodthirsty
havoc upon its alligators and human inhabitants alike. (In actual life conversely,
this gourami-related species doesn’t exceed 5 ft lengthy at most, and is often
lower than 4 ft.)
Consequently,
the appropriately-named Sam Rivers (performed by Tory Kittle), a health worker,
is dispatched to the besieged bayou, along with biologist Mary Callaghan
(China Chow), solely to find that they’ve as huge a battle on their arms
with the locals’ firmly-ingrained superstitions and religion in black magic
options to the scenario as they do with the monsters themselves – which lose
no time in selecting off the people, one after the other…
An actual Chinese language (northern) snakehead
(public area)
Amusingly,
whoever wrote the DVD’s back-cover blurb presumably had no concept what a
snakehead is and was due to this fact led badly astray by its title (and had apparently
not even watched the film itself, wherein snakeheads are precisely
described).
For
the blurb author described the film’s monsters as being not solely “large,
genetically-engineered, flesh-eating fish” but additionally as having been
“scientifically bred with a lethal snake”! Now that is a monster film
I would undoubtedly pay good cash to look at!!
As
for this one, the monster fishes when seen briefly out of the water are okay, however
as the principle storyline takes place nearly fully at night time, I did not see as
a lot of them as I would wish to have executed. However in compensation, there’s a very
sudden and entertainingly chilling closing scene to look out for, that includes
the ever-troublesome character Dan (Matthew Rauch).
If you would like to look at an official
Frankenfish trailer, please click on right here to view one on YouTube.
Lastly:
to view an entire chronological itemizing of all of my Shuker In MovieLand
weblog’s movie critiques and articles (every one immediately accessible by way of a direct
clickable hyperlink), please click on HERE, and please click on HERE to view a
full fully-clickable alphabetical itemizing of them.
The official American DVD
for Frankenfish (© Mark A.Z.
Dippé/Columbia TriStar/Syfy – reproduced right here on a strictly non-commercial Truthful
Use foundation for instructional/overview functions solely)